Use Your Words While Your Hands Work

Do not just grunt and hope for the best.

That is the whole article, if I am honest. Tell me it is good. Tell me where. Quiet men make me bored, and when I get bored I start performing, and performing is the fastest way to leave my own body while I am still in the bed.

I am not asking for a monologue. I am not asking you to sound like a video you watched at 1am with the brightness down. I want proof you are in the room with me. Hands are useful. Hands are not a personality.

Silence is not mysterious. It is homework.

There is a type of man who thinks saying nothing makes him intense. Like he is concentrating so hard it should count as skill. I have been underneath that. It feels like being used by someone who forgot I have ears.

Breathing is fine. A groan is fine. I like a bit of mess. What I cannot do is the full mute, eyes closed, jaw locked, as if talking would break the spell. There is no spell. There is me, you, a mattress, and the fact I can hear the fridge from the kitchen if nobody speaks.

My head does not go quiet on its own. It does numbers. It does rotas. It does whether I locked the bathroom after I did my face. If you give me silence, I fill it. That is not sexy. That is me writing a shopping list on your shoulder.

I start acting when you go quiet.

This is the bit people do not like hearing. If you go silent, I start putting on a show. Sounds that are a bit bigger than I feel. A face I have practised in the mirror. The version of me that looks like she is having a better time than she is, because somebody has to keep the thing moving.

I am good at that. Too good. It is a talent I wish I used less.

Then I am not in it. I am watching it. And once I am watching it, I might as well be on the night bus with my makeup bag, adding up the cab I did not take.

Words pull me back. Even small ones. Even ugly ones. Even “wait” and “there” and “fuck, that.” I do not need poetry. I need a person.

What I actually want to hear

Not a script. A reaction.

Tell me it is good, if it is good. Tell me where, if I have landed on something. Tell me if you want it slower, harder, my mouth, my hands, my legs somewhere else. Ask me what I want and then listen when I say it, which is not the same as nodding and carrying on exactly as you were.

“Does that feel nice” is not dirty talk. It is a man covering himself. Ask like you want the answer. “There?” is hotter than a paragraph. “Look at me” only works if you can handle what you see. “Come here” is two words and it has ruined better plans than I will admit in a staff meeting.

Praise is allowed. Filth is allowed. A laugh in the middle is allowed. I come easier when I am not trying to look pretty. If you make it solemn I tense up. If you make it a performance review I will clock out.

You can say you have been thinking about it. That one works because it tells me I did not become interesting the second my dress came off. You can say you like the way I sound. You can say my name like you mean the person attached to it, not a generic girl you could swap for the next one.

Consent talk can be filthy. “Can I” is not a mood killer if your hands are already on me and your voice is not apologising for existing. Asking is not weak. Asking is you having the nerve to want something out loud.

What you can leave in the video

Do not narrate me like a nature documentary. Do not call me a string of nouns you saw in the comments. Do not say “good girl” unless you already know I want that, because half of us melt and half of us want to put our clothes on and go home. I am not a vibe you guessed from my Instagram.

If you grab my hair, hold it. Do not yank it like a handle. If you talk, sound like you. Awkward and honest beats fake every time. I would rather you say “I do not know what to say” than deliver a line you do not believe. At least the first one is a person.

And please do not go quiet after I have been vocal. That is a weird little power thing. I talk, you vanish, I feel like I have been left on stage. Match me. Not volume for volume. Presence for presence.

If you are shy, start smaller than you think

I have slept with men who could run a meeting and then lost the plot the second they were naked. I get it. Talking while you are turned on is a skill. It is not a gift you either have or you do not.

Start with what is true. “That feels good.” “Stay there.” “I want your mouth.” Questions help if your brain goes blank. “Do you like that?” only works if you wait for the answer and change something if I say no, or slower, or not like that.

Copy me a bit. If I say I like the way you are touching me, you can say it back in your own words. Do not panic and overcorrect into a speech. One sentence. Then your hands. Then another sentence. That is the job.

If you need it said plainly: I would rather coach you for five minutes than guess for half an hour. Guessing is how people get hurt and how I end up performing again.

Hands without words feel like you are using me.

I like being used a bit. I will say that without blushing. There is a difference between being wanted and being processed. Wanted has a voice. Processed has a rhythm and a finish time.

When you talk, I can tell if you are with me or just on me. That matters more than technique. I have had technically fine sex that felt lonely. I have had clumsy sex that felt like someone had picked me on purpose.

Aftercare is part of this too. Do not roll over like the job is done. Water. A joke. A hand on my back. “You alright?” said like you mean the answer. If you can talk while you are inside me, you can talk when we are done. That is the same skill. Different volume.

What I will do from my side

I will say where. I will say how. I will not make you read my mind because I am thirty and tired of that game. If I go quiet, ask. Sometimes I am close. Sometimes I have left the building. Those are not the same silence.

I will not punish you for a bad sentence. I might laugh. Laughing during sex is not a fail. It is how I stay in my body. If you can laugh and keep going, you are already better than the man who took himself so seriously I wanted to check my emails.

I work in a warehouse. I share a flat. I do my makeup like armour and I still want to be spoken to like I am here. That is not complicated. It is just rare enough that I wrote this instead of going out.

Use your words while your hands work. If you cannot do both, do the words first. I can wait for the rest. I will not wait in silence while you hope I am enjoying myself. Hope is not a move.

 

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ellie1997

I’m Els. Thirty, London, warehouse floor by day and a full face by the time I leave the bathroom. I talk like I am fine because most of the time I am, and the rest of the time I would rather be funny than sit in the quiet. I like a night out, a look that lands, a cab I probably should not have booked.

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